Ali Black

This paper explores the embodied and metaphorical ways women describe their experiences of academic life and work. It bears witness to the impact of the academy's neoliberal, patriarchal, and masculinist cultures by attending to the disturbing themes of violence, brutality, injury, and war contained in women's descriptions of what it means to be a woman working in academia. These messages invite individual, collective, and institutional review of the distress university workplaces can cause. Resistance and re-imagining of higher education institutions is necessary, so that instead of suffering psyches and tyrannised brutalised bodies, the grip of managerialist performativity is broken. Creative methodologies help to loosen this grip, offering feminist shelters for women's experiences and bodies. Our paper invites vulnerable dialogue and visceral emotional connection - precursors for working differently, for caring for one another, and for the much-needed dismantling of damaging patriarchal practices and structures within the academy.

This book interrogates the roles games and playfulness bear in both formal education and informal social learning. Responsive to contemporary social and ecological challenges, this book especially explores games’ interactions with social power. On one hand, games sometimes operate to reinforce ideologies that normalise social injustice and environmental disregard. On the other, games offer rich possibilities for questioning such ideologies and encouraging change.

Strongly interdisciplinary, the book assembles twenty chapters written by fifty experts across fields including education, game design, cultural studies, sociology, Indigenous studies, disability studies, queer studies, STEM, legal studies, history, creative writing, visual arts, music, the creative industries, and social inclusion. These contributions not only make games a focus, but incorporate playful research writing strategies, demonstrating methods of what we term ludic inquiry. This includes chapters written using arts-based research, practice-led research, poetic inquiry, narrative inquiry, autoethnography, duoethnography, and more.

Organised across four themes – ‘philosophical sparks’, ‘lived experiences’, ‘pedagogical perspectives’ and ‘the spirit of play’ – this book emphasises the radical egalitarian possibilities inherent in critical attention to games and how we play (or get played by) them. Its fresh insights will interest all readers interested in creatively remaking our worlds.

In this paper, we examine qualities of fast and slow academia, creatively interrogating the challenges and value of setting and reclaiming our own s/pace and course amid the turbulent waters of the postmodern academic landscape. Engaging experientially with metaphor and the methodology of causal layered analysis, we reflect on lived experiences, academic trajectories (individual and collective) and the challenges of finding/following our heartfelt desires to go deeper (while the academy’s conflicting currents and dangerous undertows of performance and productivity threaten). Collaborating way-finders, we write as one, engaging decolonial inquiry. We lash our ships together to form a life raft, part of a flotilla of safe space to breathe, connect and collectively dream of uncharted oceans and new possibilities for academia. Our writing together is a reclamation of our intuitive compasses and ancient relational maps, a space to regain our bearings and refocus our sights on what matters most in these uncertain times. We argue for a deeper view of time and s/pace that values ancestral thinking. As ancestors of the future, we must reflect on our roles and responsibilities in and as the university, acknowledging and deciding the legacies we are shaping through our values, practices and actions. We must critically consider the educational practices we are living out and passing on, taking responsibility for the landmarks we are creating and leaving. Through this exploration of inner and external worlds, we are opening up and offering possibilities for different ways of knowing, being and listening in (and beyond) the academy.

How do we dwell tenderly in the ruins of the modern university? This paper engages a hopeful, collaborative, and sensory methodology to imagine possibilities for research and researcher. As academic women navigating the decay of the neoliberal university amid the shadowy spectre of the ‘ideal’ academic, we explore our lived experiences, identities, and questions. For us, managing modernity’s disorientation and dislocation means showing up differently, with new tools, new theoretical frames, and new ways of relating. From our experiential and aesthetic inquiry, tendrils of possibility for what research does, has been, is, and could be, are emerging. Our dwelling together (co-sensing in radical tenderness) helps us see beyond the thicket of institutional requirements towards a more hopeful and collective existence – for if the sense of separation instilled by modernity is a social disease, healing must be a communal endeavour.

Frenetic digital timescapes reduce academic life to the endless achievement of metrics. These forces produce unsustainable work practices that disconnect us from ourselves, from ideas, from the natural world and from each other. While there is a substantial body of literature critiquing this, the use of arts-based inquiry into academic work is less common. In this article, we use slow ‘thinking-in-movement’ practices and arts-based methodologies to argue that beach walking enables us to resist the academic machine. We suggest that beaches act as liminal spaces where we may engage in post-feminist, new materialist c/a/r/tographies. Beach walking enables us to defamiliarize our bodies and interrupt the academic machine so that we might enact more embodied, contemplative ways of working. Written as a performative piece, this article intersperses citations of towards a valuable academic life. Come, join us as we walk … 

This book explores the capacities and desires of academic women to reimagine and transform academic cultures. Embracing and championing feminist scholarship, the research presented by the authors in this collection holds space for a different way of being in academia and shifts the conversation toward a future that is hopeful, kind and inclusive. Through exploring lived experiences, building caring communities and enacting an ethics of care, the authors are reimagining the academy’s focus and purpose. The autoethnographic and arts-based research approaches employed throughout the book provide evocative conceptual content, which responds to the symbolic nature of transformation in the academy. This innovative volume will be of interest and value to feminist scholars, as well as those interested in disrupting and rejecting patriarchal academic structures.

This book engages expansively with the concept of motherhood in academia, to offer insights into re-imagining a more responsive higher education. Written collaboratively as international, interdisciplinary and intergenerational collectives, the editors and contributors use various ways of understanding 'motherhood' to draw attention to - and disrupt - the masculine structures currently defining women's lives and work in the academy. Shifting the focus from patriarchal understandings of academe, the narratives embrace and champion feminist and feminine scholarship. The book invites the reader to question what can be conceived when motherhood is imagined more expansively, through lenses traditionally silenced or made invisible. This pioneering volume will be of interest and value to feminist scholars, as well as those interested in disrupting patriarchal academic structures.

This paper provides a rationale for understanding personal/professional identities to support personal/professional learning and positioning in academe and higher education. It explains the importance of women writing and speaking out the stories of their lives (everyday and academic), having their voices heard and responded to, and using embodied knowledge to question and challenge workplace systems and structures of power and sexism and invisibility. Importantly, this paper opens the space for women's visibility, voice and agency in academic and educational life.

Lived Experiences of Women in Academia shares meaningful stories of women working in the academy, from numerous disciplines, backgrounds and countries, to unveil the complex and distinct dimensionalities they experience in their life and work. Chapters are written using a range of responsive, personal and aesthetic techniques, including metaphor, manifesto and memoir, with reflections inspired by textiles, online blogs and forums, theatre, creative writing, fiction and popular culture. They engage with themes and ideas including gender roles, family-making, work-life balance, motherhood, institutional violence and harassment and the self and identity, revealing how these uniquely manifest for women in academia. This collection takes account of the experiences of female academics from previous decades and the experiences of those to come, as well as those outside the academic system entirely. Lived Experiences of Women in Academia aims to liberate thinking around the life of a female academic through collaborative storytelling and discussion, to encourage new conversations and connections between women in academia across the globe

Women Activating Agency in Academia seeks to create and expand safe spaces for scholarly, professional and personal stories and assemblages of agency. It provides readers with the opportunity to connect with the strategies women are using to navigate academe and the core values, linked to trust, relationship, wellbeing and ethics of care, they live by. The collection offers the stories of women academics from around the globe and across disciplines and showcases their efforts to meaningfully listen and converse in order to resist self-audit and diminished identities. Reflections come from a range of responsive, personal and aesthetic techniques, including writing groups, guided autobiography, auto-ethnography, collective activism and slow scholarship. Chapters engage with themes and ideas such as agency, neoliberalism, ontological security, androcentricity, identity and collegial support, which manifest in unique ways for female academics. The focus in this volume is what really matters to women in the academy, as they share their efforts to 'be' themselves in their work, to 'care for themselves and others' and to 'count what isn't counted'. It aims to prove how collaborative storytelling and discussion can empower female academics to preserve and achieve these ambitions.