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The Chair and The Cello: Creative Safety in Process and Product
Theater

The Chair and The Cello: Creative Safety in Process and Product

Hannah Joyce Banks, Briony Luttrell, Nicola Hyland, Carl Walling and Lucy Orkild
2026
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Chair and the Chello - UniSC Photo by Tricia King #254879.31 kBDownloadView
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Chair and the Chello - UniSC Photo by Tricia King #2721.46 MBDownloadView
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Chair and the Chello - UniSC Photo by Tricia King #298402.19 kBDownloadView
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Chair and the Chello - UniSC Photo by Tricia King #018414.50 kBDownloadView
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Chair and the Chello - UniSC Photo by Tricia King #019482.63 kBDownloadView
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Abstract

Performing arts Performing arts devising live performance theatre autobiographical performance dramaturgy musical direction composition lighting design theatre direciton acting sound design creative collaboration creative safety
Research Background While it’s common for creative practitioners to use personal stories when making new work, there is a risk of psychological harm if the stories are unresolved which can undermine wellbeing and career sustainability (Gross & Musgrave 2020) leading to the trope of the trauma solo show. In professional collaborative contexts like devised theatre, condensed production timelines and traditional industrial practices can amplify risk in both the process of making and the production itself (Heddon & Milling 2015; Smart 2014). When creating new collaborative work that deals with difficult personal stories, there is limited guidance for practitioners to help minimise personal risk. Research Contribution The Chair and The Cello is a 45min live performance work devised by Banks, Hyland and Luttrell with Walling and Orkild. Made in 18 days, over a year, the show’s creative process and performances apply new approaches to creative safety when using personal stories in collaborations. Using novel methods of devising, performance, direction, musical direction/composition/sound design, and lighting design the creative practice acts as a site of applied inquiry. The frameworks of Empathetic Partnership (Flemmer et al 2014), Drama Spiral (Baim 2020) and Whakawhenua (Hyland 2025) underpin safety in both the creative process and product. Research Significance The show premiered internationally as the opening special event at ADSA 2025 conference in Aotearoa to an audience of theatre scholars, receiving peer review in globally-acclaimed The Theatre Times. A reworked version had its Australian premiere at UniSC in 2026. The research project was competitively funded by a UniSC CONNECT research grant and has been presented at two international conferences (ADSA 2025, IFTR 2026). A toolkit for practitioners and a scholarly article based on the findings are currently in development.

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