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Published VersionCC BY V3.0, Open Access
Journal article
Performance Drawing: The Long Black Line
New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences, Vol.2(1), pp.155-179
2013
Abstract
Kellie O’Dempsey completed a three year research project, The Spectacle of Performance Drawing as a Master of Arts where she used a practice-led research methodology. The interview gives context to O’Dempsey’s creative arts practice by describing a recent performance at the Museum of Old and New Art, Festival of Music and Art, Hobart, Tasmania in January, 2012. Her practice of performative drawing amalgamates lyrical mark-making with digital technologies and inclusive collaborations with other performers and audiences. In the interview she discusses the aleatoric processes associated with the work, describing the elements of chance that infect the drawings. The discussion, along with its accompanying photo-essay, illuminates a dynamic example of an emergent research practice where performance drawing becomes a method of research through its own production and reflexion.
Details
- Title
- Performance Drawing: The Long Black Line
- Authors
- Murray Paterson (Author) - Southern Cross UniversityKellie O'Dempsey (Author) - Southern Cross University
- Publication details
- New Scholar: An International Journal of the Humanities, Creative Arts and Social Sciences, Vol.2(1), pp.155-179
- Publisher
- New Scholar Editorial Board
- Date published
- 2013
- ISSN
- 1839-5333
- Organisation Unit
- School of Business and Creative Industries; University of the Sunshine Coast, Queensland
- Language
- English
- Record Identifier
- 99564007402621
- Output Type
- Journal article
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