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Nature and the Unmaking of the World: Reading Figures of Nature in Terrence Malick’s Days of Heaven
Journal article   Peer reviewed

Nature and the Unmaking of the World: Reading Figures of Nature in Terrence Malick’s Days of Heaven

Gabriella Blasi
Journal of Language, Literature and Culture, Vol.61(1), pp.67-73
2014
url
https://doi.org/10.1179/2051285614Z.00000000024View
Published Version

Abstract

Cultural Studies Language Studies Literary Studies Days of Heaven Terrence Malick film figural analysis America industrialization
Nature and the twentieth-century industrializing of America provide the setting for Malick's film Days of Heaven (1978). This article offers a figural analysis of images of nature to reveal the moving forward of both human and natural cycles in the film. Through a reading of figures of nature, Days of Heaven reveals a clear figural communality between human and natural cycles of world making and unmaking. Furthermore, it retrospectively illuminates the formation of the world of twentieth-century American industrialization.

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