Critical discourse studies Kenneth Burke music as discourse symbolic action sonic policing
The aim of this paper is to describe and exemplify a theoretical perspective for the analysis of music as symbolic action in critical studies of discourse. We use deployments of music by legislatures in Australia, the UK, and the USA as exemplar cases to develop foundations for a critical, non-semiotic perspective that sees music work as gestalt complexes of physical and cultural forces that move people towards or away from specific actions and attitudes. In presenting our perspective we critique some semiotic assertions about music that are commonplaces in discourse studies and elsewhere. Our cases draw on news reports and scholarly discourse about the use of music as a means of torture in warfare and as a means of purifying urban public spaces by keeping youth and homeless people out of them at night.
Details
Title
Music as symbolic action
Authors
Phil Graham (Corresponding Author) - University of the Sunshine Coast, Queensland, School of Business and Creative Industries
Andy Ward (Author) - University of the Sunshine Coast, Queensland, School of Business and Creative Industries
School of Business and Creative Industries; Healthy Ageing Research Cluster; Office of the Deputy Vice-Chancellor (Academic); University of the Sunshine Coast, Queensland; School of Creative Industries - Legacy