Journal article
Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions
Museum Management and Curatorship, Vol.31(4), pp.369-385
2016
Abstract
In parallel with a globally ageing 'baby-boomer' population, Western societies have seen an increase in the number of museums devoted to popular music. However, the discourse, design and display of traditional museums is at odds with the culture of popular music and its audience. This article explores how curators of 'new museums' of popular music harness aspects of storytelling to increase patron engagement within their exhibits. Drawing on interviews with curators in popular music museums around the world, it seeks to understand the ways memory and narratives are embedded in decisions regarding the design of substantial exhibitions and individual displays through a three-part framework of narrative-led approaches to design. Therein, the authors highlight issues relating to the overt use of narrative in popular music exhibits, including knowledge of amateur expert patrons, the potential for skewed or unbalanced histories, and the institutionalisation of the popular music genre at large.
Details
- Title
- Curating popular music heritage: storytelling and narrative engagement in popular music museums and exhibitions
- Authors
- Sarah Baker (Author) - Griffith UniversityLauren Istvandity (Author) - Griffith UniversityRaphael Nowak (Author) - Griffith University
- Publication details
- Museum Management and Curatorship, Vol.31(4), pp.369-385
- Publisher
- Routledge
- Date published
- 2016
- DOI
- 10.1080/09647775.2016.1165141
- ISSN
- 0964-7775
- Organisation Unit
- School of Business and Creative Industries; University of the Sunshine Coast, Queensland; School of Creative Industries - Legacy
- Language
- English
- Record Identifier
- 99451332002621
- Output Type
- Journal article
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- Collaboration types
- Domestic collaboration
- International collaboration
- Web Of Science research areas
- Humanities, Multidisciplinary