Journal article
A rhetoric of style: Eleanor Rigby and the reordering of popular music
Social Semiotics, Vol.29(2), pp.222-239
2019
Abstract
In this paper, we present a synthesis of Kenneth Burke's rhetoric of identification and Jay Lemke's social semiotics to frame Eleanor Rigby by the Beatles as a unique point in the phylogenesis of recorded popular music. We emphasise the social semiotic functioning of string arrangements as styles, with style also being understood in the manner of Burke, and style names and definitions being drawn from a corpus analysis of string arrangements for popular music. We argue that, through a rhetoric of style, Eleanor Rigby made canonical claims against rock's cultural counterpart, classical music. We demonstrate the working of the rhetoric and its political implications in the context of the counter-cultural forces active during the mid-1960s.
Details
- Title
- A rhetoric of style: Eleanor Rigby and the reordering of popular music
- Authors
- Philip Graham (Author) - University of the Sunshine Coast - Faculty of Arts, Business and LawBriony Luttrell (Author) - Queensland University of Technology
- Publication details
- Social Semiotics, Vol.29(2), pp.222-239
- Publisher
- Routledge
- Date published
- 2019
- DOI
- 10.1080/10350330.2018.1434971
- ISSN
- 1035-0330
- Copyright note
- Copyright © 2019 The Authors. This is an Author's Accepted Manuscript of an article published in Social Semiotics 2019, available online: http://www.tandfonline.com/10.1080/10350330.2018.1434971
- Organisation Unit
- School of Business and Creative Industries; Office of the Deputy Vice-Chancellor (Academic); University of the Sunshine Coast, Queensland; School of Creative Industries - Legacy
- Language
- English
- Record Identifier
- 99450784802621
- Output Type
- Journal article
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- Collaboration types
- Domestic collaboration
- Web Of Science research areas
- Communication
- Humanities, Multidisciplinary
- Linguistics