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Exhibiting Scenographic Identities at the 2007 & 2011 Prague Quadrennials
Dissertation

Exhibiting Scenographic Identities at the 2007 & 2011 Prague Quadrennials

Carl Walling
Doctor of Philosophy, Bowling Green State University
2015
url
http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1419006710View
Thesis

Abstract

Drama, theatre and performance studies scenography theatre theatre design performance design Prague Quadrennials Czech theatre design exibition art installation
Theatrical design is difficult to exhibit as Art. During the course of the twentieth-century, prominent theatre designers have sought ways to share their revolutionary ideas and remarkable work with an outside audience. In this dissertation, I examine the boundaries, struggles and methodologies found within contemporary design exhibition at the Prague Quadrennial. More specifically, I explore a philosophical shift taking place between the 2007 and 2011 Prague Quadrennials, as the event’s artistic leadership repositions the scenographic underpinnings toward a more inclusive theory of performance design. This resultant shift occurs due to several trends throughout the Prague Quadrennial’s history including: decentralization, the inclusion of performance and the contextualization of scenographic artifacts. I examine the significant impact of this philosophical shift on the event’s curatorial visions, audience interactions and connections with the city of Prague.

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