Communication and media studies Cultural studies feminism media ecology fandom social movements creative activism gender women The Handmaid's Tale Jessica Jones Killjoys
Being ‘woman’ in the new millennium is a fraught position. When women’s legal rights of bodily autonomy are being challenged globally, androcentrism remains the cultural norm, and algorithmic culture arguably enables misogyny, the forms through which women (re)present themselves is critical. The #MeToo movement illuminated how the media industry enables gendered abuse as an acceptable, even expected, aspect of creativity; the effects of which continue to ripple into other areas of cultural awareness. Globally, the prevalence of online gendered abuse, transphobia, systemic racism, and institutionalised inequity are being met with resistance, as marginalised people mobilise to effect change. Contemporary Western society is at a juncture.
Details
Title
Framing women: (re)imagined embodiment and affective engagement in contemporary speculative screen fiction
Authors
Amanda Fiedler - University of the Sunshine Coast, Queensland, Australian Centre for Pacific Islands Research
Contributors
Sarah Casey (Principal Supervisor) - University of the Sunshine Coast, Queensland, School of Business and Creative Industries
Gail Crimmins (Co-Supervisor) - University of the Sunshine Coast, Queensland, School of Business and Creative Industries
Awarding institution
University of the Sunshine Coast, Queensland
Degree awarded
Doctor of Philosophy
DOI
10.25907/00842
Organisation Unit
School of Business and Creative Industries
Language
English
Record Identifier
991024898802621
Output Type
Dissertation
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Details
Framing women - (re)imagined embodiment and affective engagement in contemporary speculative screen fiction