This chapter arises from a project that aimed to trace the presentation of an emerging academic self in thesis acknowledgements across New Zealand, Australia, and Japan. Here, we consider ways that acknowledgements, those marginal sections of the thesis text, decenter the individual author as sole producer of knowledge (Burke, 2012) and highlight the situated-ness of writing practices, thereby providing alternative imaginaries for doctoral writing. Unlike the main body of the thesis, which must present a legitimate academic authorial self, this peripheral element tends to be a back stage moment (Eik-Nes, 2008) that reveals affective dimensions and the everyday practices of writing and that recognises the involvement of others (people and things) in the research and writing process. Analysis of these texts-within-the-thesis-text enables a reading against the grain—giving insight into who/what else contributes to a thesis and revealing the entanglements of academic scholarship and writing (Barad, 2007).
Details
Title
Decentring the Author/Celebrating the Typist in Doctoral Thesis Acknowledgements
Authors
Frances Kelly (Author) - University of Auckland
Catherine Manathunga (Author) - University of the Sunshine Coast, Queensland, Indigenous and Transcultural Research Centre - Legacy
Machi Sato (Author) - Kyoto University
Contributors
Cecile Badenhorst (Editor) - Memorial University of Newfoundland