Conference paper
Performance Capture: Split between the Fictitious and Physical World
Proceedings of the 2017 Apple University Consortium (AUC) CreateWorld Conference, pp.88-92
Apple University Consortium (AUC) CreateWorld Conference: Creativity on the move, 2017 (South Brisbane, Australia, 29-Nov-2017 - 01-Dec-2017)
AUC and Griffith Centre for Creative Arts Research
2017
Abstract
Performance Capture (PCap) is the process of capturing a continuous recording of an actor's movements and emotions using motion capture technology, typically in a 3D virtual world. This presents a somewhat unique situation for the actor in that they are challenged to imagine their virtual counterparts and a completely abstract, computer-generated world whilst delivering their performance. Central to this paper is the identification of the various implications that affect the actor's abilities during a performance by investigating professionals' experiences when using performance capture and through the exploration of the implications of performance capture in the creation of a short experimental animation.
Details
- Title
- Performance Capture: Split between the Fictitious and Physical World
- Authors
- Joel Bennett (Author) - Queensland University of TechnologyChris Carter (Author) - Queensland University of Technology
- Contributors
- Tony Gray (Editor)Seth Ellis (Editor)Daniel Della-Bosca (Editor)Dale Patterson (Editor)
- Publication details
- Proceedings of the 2017 Apple University Consortium (AUC) CreateWorld Conference, pp.88-92
- Conference details
- Apple University Consortium (AUC) CreateWorld Conference: Creativity on the move, 2017 (South Brisbane, Australia, 29-Nov-2017 - 01-Dec-2017)
- Publisher
- AUC and Griffith Centre for Creative Arts Research
- Organisation Unit
- School of Business and Creative Industries; School of Creative Industries - Legacy; University of the Sunshine Coast, Queensland
- Language
- English
- Record Identifier
- 99480007302621
- Output Type
- Conference paper
Metrics
37 Record Views